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Department of English
University of Kansas
Langston Hughes National Poetry Project
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Representing Segregation
A special issue of African American Review
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Short Call For Papers
Representing Segregation.
Is there an identifiable literary tradition responding to,
representing, or protesting US racial segregation? Examination of
individual works, authors, genres, or movements welcome for a special
issue of African
American Review
slated for early 2008. Inquiries
first to: Brian Norman (normbria@isu.edu) and Piper Kendrix
Williams (williamp@tcnj.edu). Inquiries by December 15, 2006;
completed papers are due by May 1, 2007.
More information, including a
link to the special issue website at
http://aar.slu.edu/.

Medium Call For Papers
Representing Segregation:
A special issue of African
American Review
African
American Review
is soliciting papers for a special issue on Representing Segregation
slated for publication in early 2008.
Is there an identifiable literary tradition responding to,
representing, or protesting US racial segregation? Examination of
individual works, authors, genres, or movements are welcome.
Segregation—as an historical condition, a political ideology, a
municipal planning scheme, and a de facto social system—profoundly
shaped the lives of African Americans and other groups in the first
half of the twentieth century, at least. Whether protesting,
rejecting, refusing, or reaffirming segregation, numerous writers have
necessarily responded to the history and experience of racial division
in their literary projects. The past two decades of African American
literary studies have evidenced great interest in the tropes,
narratives, and legacies of slavery, migration, and diaspora within
the literary imagination. In addition, in recent years scholars have
studied specific practices of segregation in literature, most notably
lynching. A broad inquiry into literatures of segregation is necessary
to account for the literary legacy associated with practices of US
racial segregation.
Send inquiries or proposals to Brian Norman (normbria@isu.edu)
and Piper Kendrix Williams (williamp@tcnj.edu). Inquiries by
December 15, 2006; completed papers are due by
May 1, 2007. More information, including a
link to the special issue website at
http://aar.slu.edu/.

Long Call For Papers
Representing Segregation:
A special issue of African
American Review
African
American Review
is soliciting papers for a special issue on Representing Segregation
slated for publication in early 2008.
Is there an identifiable literary tradition responding to,
representing, or protesting US racial segregation? Examination of
individual works, authors, genres, or movements are welcome.
Segregation—as an historical condition, a political ideology, a
municipal planning scheme, and a de facto social system—profoundly
shaped the lives of African Americans and other groups in the first
half of the twentieth century, at least. Whether protesting,
rejecting, refusing, or reaffirming segregation, numerous writers have
necessarily responded to the history and experience of racial division
in their literary projects. The past two decades of African American
literary studies have evidenced great interest in the tropes,
narratives, and legacies of slavery, migration, and diaspora within
the literary imagination. In addition, in recent years scholars have
studied specific practices of segregation in literature, most notably
lynching. A broad inquiry into literatures of segregation is necessary
to account for the literary legacy associated with practices of US
racial segregation.
Possible questions individual articles might ask include, but are not
limited to:
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Is there such thing as a segregation narrative or a Jim Crow
narrative? Is this a formalist, ideological, or historicist project? |
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How have the historical conditions of racial segregation informed
narratives of race, nation, and geography? |
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What are the aesthetic techniques employed by Black writers to
represent and protest racial segregation? Should these be in
conversation with apologist or white supremacist writers of
segregation literature, such as Thomas F. Dixon? |
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Where is segregation located? Is there a geography underpinning the
literary imagination arising from segregation narratives? What place
do segregation narratives have in literatures of migration? |
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What is the relation between literatures of segregation and
literatures of separatism or racial self-determination? |
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How and why have writers from different ethnic or racial backgrounds
borrowed, built from, or rejected African American representations
of segregation? |
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Can transnational figures and texts like Richard Wright’s expatriate
writings, W. E. B. Du Bois’s Ghanaian citizenship, James Baldwin’s
European essays, or June Jordan’s anti-apartheid work elucidate the
way writers negotiate the domestic and the international within
segregation? |
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What does an African American literary tradition writ large look
like from the vantage of a distinct tradition of literatures of
segregation? |
Send inquiries or proposals to Brian Norman (normbria@isu.edu)
and Piper Kendrix Williams (williamp@tcnj.edu). Inquiries by
December 15, 2006; completed papers are due by
May 1, 2007. More information, including a
link to the special issue website at http://aar.slu.edu/.
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