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Undergraduate Theatre & Film Courses

TH&F 100 Introduction to the Theatre (3) H,HL. Designed to help students by means of experience with theatre as well as study about it to achieve an understanding of its cultural role in contemporary society, to develop a sensitive and informed appreciation of its art, and to make it an integral part of their cultural lives. Lectures, discussion groups, special interest groups, theatre attendance.

TH&F 101 Theatre Practicum (1) U. Involvement in theatre performance and/or production. One acting role in a University Theatre production or classroom project plus one crew assignment, or two crew assignments qualify for credit. May be repeated for credit. This course will be graded satisfactory/unsatisfactory.

TH&F 105 Improvisation (3) U. Designed to free the beginning actor physically, vocally, and emotionally. Beginning with basic physical action and sense memory exercises performed by individuals, the work will progress to pair and small-group improvisations in preparation for scene work. Open to freshmen and sophomores only.

TH&F 106 Acting I (3) U. Fundamental techniques in acting. Practice in character creation, body language, and effective stage speech.

TH&F 111 Make-Up (1) U. The techniques in application of make-up for specific characterizations, both straight and character. Study of the structure of the face and hands for stage make-up. Should be taken concurrently with TH&F 106, if possible.

TH&F 116 Scenographic Techniques (3) U. Emphasis on drafting, model building, and presentational techniques for the theatrical designer or art director. Some work in computer drafting for the designer-technician. Lecture and laboratory periods.

TH&F 201 Theatre Practicum II (1) U. Involvement in theatre performance and/or production. One acting role in a University Theatre production or classroom project plus one crew assignment, or two crew assignments qualify for credit. May be repeated for credit. This course will be graded satisfactory/ unsatisfactory. Prerequisite: TH&F 101.

TH&F 204 Study Abroad Topics in: _____ (1-6) U. This course is designed for the study of special topics in Theatre and Film at the freshman/sophomore level. Credit for coursework must be arranged through the Office of KU Study Abroad. May be repeated for credit if content varies.

TH&F 206 Acting II (3) U. The study of roles and scenes from plays. Practice in character analysis, creation of roles, rehearsal of scenes, and ensemble work. Prerequisite: TH&F 106.

TH&F 209 Play Reading for Performance (3) H. This course is designed to prepare students for upper-level courses in theatre by developing and enhancing their ability to read plays. Close reading of plays introduces students to a variety of different dramatic genres and theatrical styles. Emphasis is places on comprehension and analysis of dramatic literature for theatrical performance.

TH&F 212 Beginning Voice and Speech for Actors (3) H. A foundation course; introduction to phonetics; training in Standard American Stage Speech; articulation skills; resonance and voice placement.

TH&F 213 Movement I: The Acting Instrument (3) U. A foundational course in discovering ease and efficient use of the body in a performance context, developing non-verbal communication and partnering skills, and establishing the connection of movement to voice production. Trains actors in proper warm-up technique, alignment and balance, physical safety, and basic tumbling skills.

TH&F 214 Movement: Masks and Martial Arts (3) U. The expressiveness of the body is explored and developed through the use of masks. This approach urges the body to move according to the expression on the mask. In addition, concentration and focus of energy, rhythm, direction, and effectiveness of movement are studied through the application of Japanese martial arts such as aikido and karate. (Same as DANC 214.)

TH&F 215 Approaching Design for Theatre and Film (3) U. Conceptualization and visualization of the elements involved in creative design for theatre, dance, television, and film. Intended for all film majors.

TH&F 216 Scenic Production (2) U. Introduction to the planning, construction, and mounting of scenery for theatre, television, and film. Concentration on the technical organization of scenic production. Lecture, discussion, and laboratory periods.

TH&F 220 Costume Production (2) U. Introduction to techniques of costume construction, including study of fabrics, color, fundamentals of pattern making, and draping of costumes for theatre, television, and film. Concentration on the technical organization of costume production. Lecture, discussion, and laboratory periods.

TH&F 224 Lighting Production (2) U. Introduction to the planning and execution of lighting for theatre, television, and film. Concentration organized any given semester to study particular subject matter or to take advantage of special competence by an individual faculty member. Topics change as needs and resources develop. Class discussion, readings, and individual projects.

TH&F 226 Introduction to African Dance Theatre (2) NW U. Introduction to the general techniques of non-verbal theatrical conventions in African cultures. Practical training in movement vocabulary supplemented by lectures on the "text" of performance. There will be an end of semester "studio performance." (Same as AAAS 334 and DANC 230).

TH&F 283 Introduction to the Film Medium (3) HL H. Study of film as a visual art. Focus on communicative translation between film viewer and film maker. Learning to read basic signs, syntaxes, and structures of cinematic language. Direct analysis of selected films.

TH&F 301 Theatre Practicum III (1) U. Involvement in theatre performance and/or production. One acting role in a University Theatre production or classroom project plus one crew assignment, or two crew assignments qualify for credit. May be repeated for credit. This course will be graded satisfactory/ unsatisfactory. Prerequisite: TH&F 201.

TH&F 302 Undergraduate Seminar in: ________ (3) H. Course organized any given semester to study a particular subject matter or to take advantage of special competence by an individual faculty member. Topics change as needs and resources develop. Class discussion, readings, and individual projects.

TH&F 303 Summer Theatre (1-6) U. Provides experience in a wide range of theatre activity related to the summer theatre production or productions. Work may include activity in the following areas: acting, directing, design, technical theatre, voice and/or movement. Specialized skills are developed through individual classes, production preparation and performance. Prerequisite: Consent of instructor.

TH&F 304 Study Abroad Topics in: _____ (1-6) U. This course is designed for the study of special topics in Theatre and Film at the junior/senior level. Credit for coursework must be arranged through the Office of KU Study Abroad. May be repeated for credit if content varies.

TH&F 306 Acting III (3) U. Advanced projects in acting. Character and scene analysis, scoring the role, rehearsal, and performance. Prerequisite: TH&F 206.

TH&F 307 Undergraduate Theatre or Film Internship (1-3) U. Supervised study with an approved theater or film company or project. May be repeated for credit. No more than six hours may be applied to the B.A. or B.G.S. degrees. This course will be graded satisfactory/unsatisfactory. Prerequisite: Consent of instructor and at least seven hours credit in the department.

TH&F 308 Script Analysis (3) H. This course provides knowledges and methods enabling students to conduct in-depth study of dramatic scripts. Emphasis is given to the analysis skills appropriate to practitioners of stage and screen arts. Prerequisite: TH&F 106 and TH&F 215 or TH&F 216. (Formerly TH&F 509.)

TH&F 310 Acting for the Camera (3) H. A study of acting techniques appropriate to the requirements of the camera. Emphasis is placed on developing audition skills necessary to compete for roles in dramatic features, corporate videos, and commercials. Actors acquire skills essential to the transition from stage to camera. Prerequisite: Permission of instructor.

TH&F 312 Acting with an Accent (3) H. A performance class for actors using monologues and scenes involving the use of accents and dialects. The course will also provide instruction in many of the most used American regional, British regional dialects, and foreign language accents. Prerequisite: TH&F 212, or by permission of instructor after the student demonstrates an ability in the International Phonetic Alphabet.

TH&F 313 Movement II: Physical Characterization (3) U. The study of diverse physical acting techniques, and an investigation into creating a character through manipulation of the acting instrument. Actor training in performance neutrality, mask work, age, and gender distinctions. Prerequisite: TH&F 213 and permission of instructor.

TH&F 316 Beginning Scene Design for Theatre, Film, and Video (3) U. Study of scenic design process with beginning problems in textual analysis, style, historical research, and preliminary and finished methods of design presentation. Concentration on developing fundamental design skills and awareness. Prerequisite: TH&F 116 and TH&F 215, or permission of instructor.

TH&F 320 Beginning Costume for Theatre, Film, and Video (3) U. Study of the costume design process with beginning problems in textual analysis, style, historical research, and preliminary and finished methods of design presentation. Concentration on developing fundamental design skills and awareness. Prerequisite: TH&F 215.

TH&F 324 Beginning Lighting Design for Theatre, Film, and Video (3) U. Study of the lighting design process with beginning problems in textual analysis, style, historical research, with preliminary and finished methods of design presentation. Concentration on developing fundamental design skills and awareness. Prerequisite: TH&F 116 and TH&F 215, or permission of instructor.

TH&F 326 African Theatre and Drama (3) WH, NW. A study of the origin and development of continental African theatre and its affinity of the Levant. Traditional, colonial and contemporary dramatic theories and experiments will be examined in play selections. (Same as AAAS 355.)

TH&F 327 African-American Theatre and Drama (3) H. A historical study of Black Theatre in the U.S.A. from its African genesis to its contemporary Americanness. Epochs in African-American dramaturgy will be critically examined. (Same as AAAS 356.)

TH&F 373 Basic Screenwriting (3) U. An introduction to the craft and principles of screenwriting, from inspiration to writing a complete first act. Emphasis on factors relevant to the creation of a treatment and a screenplay. Prerequisite: Consent of instructor.

TH&F 375 Basic Video Production (3) U. Theory and practice of video production with emphasis on preproduction planning, scripting, directing, lighting, camera operation and audio. Lecture-laboratory. Prerequisite: TH&F 283 and consent of instructor.

TH&F 376 Basic Film Production (3) U. An introduction to 16mm film techniques and structures, requiring construction of brief, individually produced fictive-narrative films employing classical continuity. Lecture-laboratory. Prerequisite: TH&F 283 and consent of instructor.

TH&F 377 Basic Audio Production (3) U. Introduction to the basic theories and production techniques involved in the construction of the audio image of film and video. Lecture-laboratory. Prerequisite: TH&F 283 and consent of instructor.

TH&F 380 American Popular Culture of: _____ (3) H, HL. An interdisciplinary examination of popular cultural forms and their relationships with the social, political and economic dynamics of America in a specific decade, with emphasis on film, broadcasting, music, literature (including magazines and newspapers), theatre, and the graphic arts. Decade to be studied changes as needs and resources develop. May be repeated for credit for different decades.

TH&F 381 History of the Silent Film (3) H. A survey of the artistic, economic and sociological development of the narrative cinema with emphasis on the American studio system, German Expressionism, and Soviet Expressive Realism. Analysis of selected films.

TH&F 382 History of the American Sound Film (3) H. A study of the artistic, economic, and sociological development of the American sound film with emphasis on the studio system, major directors, genres, and the impact of television. Analysis of selected films.

TH&F 384 History of African-American Images in Film (3) H. A history and critical assessment of the diverse images of African-Americans in American cinema and the impact of those images on American society. Screenings of feature and independent films, including those by African-Americans.

TH&F 385 Contemporary Japanese Film (3) NW, H. Seminar on the major developments in the contemporary (1980-present) Japanese film industry examining how filmmaking practices and film criticism have been influenced by such issues as transnationalism, postcolonialism, critical race theory, postmodernism, and new media. We survey recent industrial and stylistic trends as well as key critical debates. Class discussion, reports, and individual research papers. Prerequisite: Junior status. May be taken as TH&F 785, but with additional requirements.

TH&F 387 History of the International Sound Film to 1950 (3) H. A survey of the artistic, economic, and sociological development of the international sound film from 1929 to 1950. Emphasis on European National Cinemas.

TH&F 388 History of the International Sound Film Post 1950 (3) H. A survey of the artistic, economic, and sociological development of the international sound film from 1950 to the present. Emphasis on Free Cinema, New Wave, and other emerging post-war cinemas.

TH&F 401 Stage Management and Assistant Direction (1) U. Majors are assigned to stage manage or assistant direct a University Theatre production, or to take related workshops in stage management or assistant directing. May be repeated for credit. This course will be graded satisfactory/unsatisfactory.

TH&F 404 Children and Drama (3) H. Exploration of forms, methods, and materials appropriate for development of elementary-age children in dramatic arts.

TH&F 405 Children and Media (3) U. The applied study of child development theories and research methods on the influences and effects of television and related visual media on childhood in the contexts of families, schools, and society. (Same as ABSC 405 and PSYC 405.)

TH&F 406 Audition Techniques (3) U. This course prepares students for all types of audition experiences. It includes study in techniques of prepared auditions, cold readings, interviews, and the musical audition for actors. Emphasis is placed upon developing resumes and photo portfolios as well as concentrated study in professional contracts, unions, and agent acquisition. Prerequisite: TH&F 206.

TH&F 410 Musical Performance for the Actor (3). This course develops the actor's musicianship, audition technique, sense of style, and deportment in the musical theatre genre. It includes a survey of the American Musical Theatre, its origins, development, and influences.

TH&F 413 Stage Combat Skills (3) U. Study of the illusion of violence in a dramatic context and the special skills necessary for creating believable and safe stage fights. Actor training in armed and unarmed combat, including one or more of the following: rapier and dagger, broadsword, and quarter staff. Prerequisite: TH&F 313 and permission of instructor.

TH&F 416 Design Forum/Theatre, Film, and Video (3) U. Depending on student qualifications and specialization, focus is on scenic, costume, and/or lighting design. Special attention placed on developing collaborative awareness and the conceptual and presentation skills that underlie and inform the design process. Prerequisite: TH&F 316 or TH&F 320 or TH&F 324.

TH&F 429 Postcolonial Theatre and Drama (3) NW, H. The course develops an understanding of the postcolonial concept and its different manifestations in theatre and drama across nations and cultures. It approaches postcolonialism as a way of reading theatre, and as a genre within theatre by exploring how the "colonial project" has reconfigured the concept, content, and context of theatre in both colonized and colonizing cultures. In addition to the study of postcolonial playwrights and their works, the course is also an introduction to postcolonial theory and its critics.

TH&F 445 Teaching Theatre in the Middle/Secondary Schools (3) H. Study of philosophy and methods appropriate to teaching improvisation, acting, stagecraft, directing, playwriting, dramatic literature, and theatre history in middle/secondary schools. Includes curriculum development, instructional and evaluative strategies, and management of co-curricular theatre programs. Prerequisite: Consent of instructor.

TH&F 450 Race, Class, and Gender in Visual Culture (3) H. Examines the way in which race, class, and gender are represented through visual culture, historically and in the present. The study of visual culture analyzes the way in which visual images communicate systems of beliefs, contribute to identity formation, and have an influence on our thinking about race, class, and gender. Course looks at visual objects, i.e., film, television, photography, art, advertisements, and theatre as well as visual practices, i.e., in public and private spaces.

TH&F 473 Intermediate Screenwriting (3) U. Emphasis on writing a fulllength screenplay. Explores genre, character, dialogue, and the development of a personal writing style. Prerequisite: TH&F 373 and consent of instructor (students will be selected based on writing samples).

TH&F 475 Intermediate Video Production (3) U. Theory and practice of longer-form video production with emphasis on scripting, talent coordination and editing in preproduction, production and postproduction. Lecture-laboratory. Prerequisite: TH&F 375 and consent of instructor.

TH&F 476 Intermediate Film Production (3) U. The theory and practice of 16mm film production with an emphasis on sound recording and editing. Lecture-laboratory. Prerequisite: TH&F 376 and consent of instructor.

TH&F 498 Honors Seminar (2-8) H. Study may be directed toward either (1) reading for integration of knowledge and insight in theatre, film, or video, or (2) original research, i.e., investigation of a specific problem in theatre and/or film or video. Eight hours maximum credit, which may be distributed through four semesters. Prerequisite: Consent of Departmental Honors Committee.

TH&F 499 Directed Study in Theatre and Film (1-6) H. Investigation of a special topic or project selected by the student with advice, approval, and supervision by an instructor. Such study may take the form of directed reading or special research. Individual reports and conferences. A maximum of six hours credit may be counted toward a degree. Prerequisite: At least seven hours credit in the department and consent of instructor.

TH&F 501 Colloquium on American Theatre/Film (1) U. A series of fourteen weekly lecture/discussions led by invited guests both from the university and outside it on various topics central to the study of theatre and film. The first four meetings, led by the course coordinator, are a brief survey of the history of theatre and film in America and a preparation for the ten lecture/discussions to follow.

TH&F 506 Psychology and the Actor (3) H. The relationship of psychological theory and empirical data to the actor's craft. Topics include theatrical and psychological motivation, social psychology of the actor, application of psychodynamics to character analysis, psychology of the act of acting, and personality of the actors. (Same as PSYC 506.) Prerequisite: PSYC 104 and TH&F 106 or permission of instructor.

TH&F 508 Fundamentals of Directing (3) H. Offered as a first course in play directing. Designed primarily for theatre majors and secondary education majors in language arts with a theatre and drama concentration. The content is principally descriptive in nature with some practical experience. Lecture and laboratory periods. Prerequisite: TH&F 308. (Formerly TH&F 309.)

TH&F 512 A Vocal Approach to the Classics (3) H. This is an advanced voice and speech course for actors aiming to further increase their command over tone, rhythm, pacing, and diction. Their range and power will be extended. Through discovery of the demands of a variety of classical texts, the actor will be challenged both in verse and in prose to develop the skills necessary to fully interpret that material. Prerequisite: TH&F 212.

TH&F 516 Scenic Painting Techniques (3) H. Study of painting equipment, tools, pigments, binders, and vehicles, and their relationship to the surfaces to be painted. Instruction in basic painting techniques. Prerequisite: TH&F 115 and TH&F 215.

TH&F 517 Computer-Aided Design for Theatre, Film, and Video (3) U. Study of new media in theatre and film/video production, primarily computer technologies and methods for the theatrical designer or art director. Emphasis on computer 3-D modeling and color rendering. Prerequisite: TH&F 116, TH&F 215, or permission of instructor.

TH&F 518 Scenography I (3) U. Study of the techniques of design research and technical production. Exploration and solutions of simple scenographic problems. Prerequisite: Nine hours in theatre/design/technical courses.

TH&F 519 Scenography II (3) U. Continuation of TH&F 518. Prerequisite: TH&F 518.

TH&F 520 History of Period Style I (3) H. A survey of Western style from ancient Egypt to the Restoration. Focus is placed on developing a comprehensive understanding of the stylistic relationships between art, architecture, clothing, decor, manners, and social and political history. Prerequisite: Nine hours in theatre/ design/technical courses or consent of instructor.

TH&F 521 History of Period Style II (3) H. Continuation of TH&F 520, from the Restoration to the present day. Prerequisite: Nine hours in theatre/design/technical courses or consent of instructor.

TH&F 525 Theatre in Western Civilization to 1642 (3) H. Study of the developments in theatre and drama in the Western world from the ancient Greeks to 1642. T

TH&F 526 Theatre in Western Civilization from 1642 (3) H. Traces the major innovations and modifications in theatre and drama in the Western world from 1642 to the present day. Stresses the interlocking of the theatre, the play, and the audience. Prerequisite: TH&F 525 or permission of the instructor.

TH&F 527 Asian Theatre and Film (3) WH, NW. A survey of traditional and modern theatre and film in Asia, with greatest attention given to India, China, and Japan. A study of plays, dramatic genres, history, conventions of play production, acting styles and films. (Same as EALC 527.)

TH&F 528 History of American Theatre and Drama (3) H. Problems of the live theatre viewed against the background of American culture from 1665 to the present.

TH&F 529 Race and the American Theatre (3) U. The representation(s) of race in significant texts and performance styles in American theatre analyzed according to political ideologies, dramatic movements and the impact of these factors on the representation of the "other" in the theatre. (Same as AAAS 585 and AMS 529.)

TH&F 530 African Film and Video (3) H, NW. A critical study of Africa and its peoples as depicted in African films and videos. The aesthetic, cultural, economic, political, historical, and ideological aspects of African films and videos will be examined. (Same as AAAS 555.)

TH&F 576 Animation (3) H. A survey that combines animation history, theory, and production by examining works from various historical periods and exploring various styles and techniques with 16mm animation equipment. Lecture-laboratory. Prerequisite: TH&F 376 and consent of instructor.

TH&F 583 Film Theory (3) H. Comprehensive examination of most significant theories and theorists of film. Organized around specific questions, e.g., what qualities make film art unique, and how is film related to other visual and literary arts? Class discussion, individual projects. Prerequisite: TH&F 283 or equivalent (determined by instructor).

TH&F 584 Film Theory and Criticism, 1960-Present (3) H. A survey of major theories applied to film and video studies since 1960, and their impact on a range of filmmaking and video practices (fictive, documentary, experimental, and ethnographic). Includes theories generated from semiotic, cognitive, Marxist, feminist, postmodernist, and Third World Cinema approaches to film.

TH&F 585 Latin American Film (3) H. The course explores the national cinemas and film industries of various nations in Latin America, as well as films made by Indigenous and Chicano/a filmmakers. Films are analyzed both as artistic works (formal qualities, cinematic styles, and influences) and as documents that provide windows to the sociohistorical context of the nation. The course focuses on the political-economic factors surrounding the production of Latin American national cinema (the role of the state, co-productions, film markets). Prerequisite: Junior status. May be taken as TH&F 885. There will be additional requirements for graduate students taking TH&F 885.

TH&F 586 Asian Film (3) NW, H. Seminar on various national film cultures of East and Southeast Asia. Representative films are studied from formal, stylistic, and socio-historic perspectives. Addresses the impact of key cultural, economic, and political issues on each film industry. Class discussion, reports, and individual research papers. Prerequisite: Junior status. May be taken as TH&F 886, but with additional requirements.

TH&F 593 Experimental Film and Video (3) H. A history of experimental film and video through an examination of major artists, movements, theories, and film/tapes. Prerequisite: TH&F 283 and TH&F 381, or consent of instructor.

TH&F 599 Special Topics in Scenography (1-6) U. Individual studio activity. Course content to be determined by the student under the supervision of a faculty member. May be repeated for credit in subsequent semesters. Prerequisite: Permission of instructor.

TH&F 603 Theatre for Young Audiences (3) U. A survey of theories, history, literature, criticism, production methods, and audience research about theatre performed by adults for children and adolescents. Emphasis is on child development and community outreach. Prerequisite: TH&F 309, or consent of instructor.

TH&F 604 Drama With Young People (1-3) U. A laboratory experience in developing and conducting improvisational drama workshops with children or adolescents in local schools. Includes readings by leading theorists and practitioners. Prerequisite: Actors cast in current KU Theatre for Young People production, or TH&F 404, or consent of instructor.

TH&F 609 Play Directing (3) H. Readings, lectures, and practice dealing with the relationship between actor and director with application to both stage and film. Prerequisite: TH&F 509.

TH&F 617 Computer-Aided Design for Theatre, Film, and Video II (3) U. Continuation of TH&F 517. Emphasis on computer-generated images as scenic media in production situations. Prerequisite: TH&F 517, or permission of instructor.

TH&F 618 Scenography III (3) U. Advanced problems in scenography. Exploration of the problems confronted by the scenographer in arriving at a theatrically comprehensive, metaphorical statement for all visual and auditory dimensions of the play under his/her control: scenery, costumes, lighting, sound. Prerequisite: TH&F 519.

TH&F 619 Scenography IV (3) U. Continuation of TH&F 618. Prerequisite: TH&F 618.

TH&F 626 Myth and the Dramatist (3) U. This seminar critically explores myths in dramatic literature from ancient to contemporary times, using select authors from different cultures. Analysis of the works will be based on both conventional and post-structuralist theories and specific emphasis will be on myths that have been adapted cross-culturally and/or in different time perspectives.

TH&F 675 Advanced Video Production (3) U. Special projects in video production, using both studio and remote locations. Prerequisite: TH&F 475 and consent of instructor.

TH&F 676 Advanced Film Production (3) U. Special projects in 16mm sound film production, using both studio and remote locations. Prerequisite: TH&F 476 and consent of instructor.

TH&F 677 Advanced Audio Production (3) U. Special projects in audio production for film and video. Prerequisite: TH&F 377 and consent of instructor.

TH&F 684 Documentary Film and Video (3) H. An historical and theoretical survey of that major genre of film and video typically termed "documentary." The course will trace the main historical developments from documentary's beginnings through contemporary innovations. Prerequisite: TH&F 283 and TH&F 381, TH&F 382, or consent of instructor.

TH&F 686 American Film Criticism (3) H. An analysis of the evolution, methods and impact of American film criticism as practiced by such critics as James Agee, Robert Warshow, Andrew Sarris, John Simon, Pauline Kael, Stanley Kauffman, and Dwight Macdonald. Prerequisite: TH&F 381 or TH&F 382.

(For descriptions of courses numbered 700-799, please see the Graduate Course Listings.)

TH&F 702 Graduate Seminar in: _____ (3).

TH&F 703 Readings in Dramatic Literature (1-3).

TH&F 704 Study Abroad Topics in: _____ (1-6) U.

TH&F 707 Theatre or Film Internship (3-12).

TH&F 708 Dramatic Script Writing (3).

TH&F 709 Advanced Dramatic Script Writing (3).

TH&F 710 Styles of Acting: Classical Japanese (3).

TH&F 711 Styles of Acting: Shakespearean (3).

TH&F 713 Styles of Acting: Restoration and 18th Century English (3).

TH&F 714 Study in Masks and Martial Arts (3).

TH&F 715 Problems and Techniques of Direction (3).

TH&F 719 M.F.A. Production Seminar (3).

TH&F 725 Russian Theatre and Drama from Stanislavski and Chekhov to the Present (3).

TH&F 773 Problems in Basic Screenwriting (3).

TH&F 775 Problems in Basic Video Production (3).

TH&F 776 Problems in Basic Film Production (3).