“Rembrandt Research Project: Issues and Controversies,” in Partisan Canons, ed. Anna Bryzski, University of Kentucky; Duke University Press, 2007, 225-244.

"From Shrew to Poetess: Two Non-traditional Female Roles at Opposite Ends of the Social Spectrum Evoked by a Curious Seventeenth-Century Dutch Genre Painting by Gabriel Metsu," Saints, Sinners, and Sisters. Women and the Pictorial Arts of Northern Europe in Medieval and Early Modern Culture, eds. Alison G. Stewart & Jane L. Carroll; Ashgate Publishing Ltd., England, 2003, 223-245.

"Metsu's Justice Protecting Widows and Orphans: Patron and Painter Relationships and Their Involvement in the Social and Economic Plight of Widows and Orphans in Leiden," The Public and Private in Dutch Culture of the Golden Age, eds. Arthur K. Wheelock, Jr. & Adele Seeff, Newark: The University of Delaware Press & London: Associated University Presses, 2000, 227-265.

Review of Mirror of Everyday Life: Genre prints in the Netherlands 1550-1700, exhibition catalogue, Amsterdam: Rijksmuseum, Simiolus, Netherlands Quarterly for the History of Art, vol. 25, nr. 4, 1997, 352-358.

"Inclusions and Exclusions: The Selectivity of Adriaen van Ostade's Etchings," Adriaen van Ostade: Etchings of Peasant Life in Holland's Golden Age, exhibition catalogue, ed. Patricia Phagan, Georgia Museum of Art, The University of Georgia, 1994, 21-29.

"Gabriel Metsu's Vegetable Market at Amsterdam and Its Relationship to a Bredero Farce," Artibus et Historiae, vol 25 (XIII), 1992, Vienna, 163-180.

"Rembrandt's Landscape Etchings: Defying Modernity's Encroachment," Art History, vol. 15, nr.4 (Dec. 1992), London, 403-433.

"Market Scenes as Viewed by an Art Historian," Art in History/ History in Art: Studies in 17th-Century Dutch Culture, Issues and Debates Series, eds., David Freedberg & Jan de Vries, vol. 1, The Getty Center for the History of Art & the Humanities, Distributed by the University of Chicago Press, 1991, 28-57.

"Gabriel Metsu's Vegetable Market at Amsterdam: Dutch 17th-Century Horticulture and Market Paintings," Art Bulletin, LXXI, no. 3 (September 1989), 428-452.

"Spun Virtue, the Lacework of Folly, and the World Wound Upside-Down: Seventeenth-Century Dutch Depictions of Female Handwork," Cloth and Human Experience, eds. A. Weiner & J. Schneider, Smithsonian Series in Ethnographic Inquiry, Smithsonian Institution Press, Washington, D.C., 1989, 215-242.

"Views of Haarlem: A Reconsideration of Ruisdael and Rembrandt," Art Bulletin, LXVII, No. 3 (September 1985), 417-436.

Lecture: Seventeenth-century Dutch and Flemish Art

Graduate seminars: Rembrandt; Rubens; Vermeer; Seventeenth-century Dutch Genre Imagery; Seventeenth-Century Dutch Landscapes & Cityscapes; Haarlem’s Golden Age; Seventeenth-century Dutch Portraiture

• The Proceeds of Prosperity: Seventeenth-Century Dutch Images of Money Management and Exchange
  
  
• Re-forming Mary in Seventeenth-Century Dutch Prints

• Seventeenth-Century Dutch Portraits in Scenes of Every Day Life
  
  
• Refashioning Female Identity: Women’s Roles in Seventeenth-Century Dutch Historiated Portraits
  
  
• Rembrandt’s Humor: Scatology, Satire, Burlesque, and Irony in Six Etchings
  
  
• Images of the Soldier in Seventeenth-Century Dutch Art
  
  
• Dutch Seventeenth-Century Images of Classicizing Palaces and Villas inside the Netherlands
  
  
• Scenes from Republican Roman History in Seventeenth-Century Dutch Art
  
  
• The Portuguese Jewish Community in Seventeenth-Century Amsterdam: Images of Commemoration and Documentation
  
  
• The Impact of Trade by the Dutch East India Company on Seventeenth-Century Netherlandish Art
  
  
• The Passion of Christ in Seventeenth-Century Dutch Painting
  
  
• The Last Judgment in Early Netherlandish Painting: Faith, Authority, and Charity in the Fifteenth Century
  
  
• The Narrative Biblical Series in Seventeenth-Century Spanish Painting: Murillo's Life of Jacob and The Prodigal Son