Spring 1993
Volume VII
Number 2
Table of Contents
ARTICLES
The Audience: Subjectivity, Community and the Ethics of Listening
Alice Rayner 3
Metaphors We Act By: Kinesthetics, Cognitive Psychology, and Historical
Structures
Bruce A. McConachie 25
The Third World and Ibsen: Production Perspectives in Romersholm
Sandra Hardy 47
PRAXIS
Praxis: An Editorial Statement
Kent Neely 65
Yvonne Shafer, Marvin Carlson 67
BOOK REVIEWS
James Fisher, Rhona Justice-Malloy, Thomas Akstens 79
BOOKS RECEIVED 91
SPECIAL SUPPLEMENT ON FEMINIST DRAMATIC
THEORY AND CRITICISM
Editor’s Introduction
Sarah V. Becker 101
American Drama, Feminist Discourse, and Dramatic Form: In Defense of
Critical Pluralism
Patricia R. Schroeder 103
In the I of the Storm: The Problems With Pluralism
Juli Thompson Burk 119
And What of the Night?: Fornes’ Apocalyptic Vision of American Greed
and Poverty
Assunta Kent 133
Constructing the Subject: Timberlake Wertenbaker’s The Grace of Mary Traverse
Mary Karen Dahl 149
Black Feminist Criticism and Drama: Thoughts on Double Patriarchy
Omofolabo Ajayi-Soyinka 161
Distance and Empathy: Constructing the Spectator of Annie Sprinkle’s
Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience
Angelika Czekay 177
“The Sisterhood of Sweetness and Light”: Gender Production in American
Acting Styles and Theatre Historiography
Kim Marra 193
“The Doll House Show”: A Feminist Theory Play
Gayle Austin 203