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Spring 2008
Volume XXII
Number 2
CONTENTS
Religious Experience as a Model for Emotional Experience in Theatre
David V. Mason
Marina Abramovic and the Re-performance of Authenticity
Jessica Chalmers
Clytemnestra’s Net: Aeschylus’ Oresteia and the Text of Tapestries
Megan Shea
SPECIAL SECTION: SEMIOTIC ANALYSIS OF AVANT-GARDE PERFORMANCE
Introduction: Semiotic Analysis of Avant-Garde Performance
Yana Meerson and Eli Rozik, Guest editors
Sense and Sensation: Exploring the Interplay Between the Semiotic and the Performative Dimension of Theatre
Erika Fischer-Lichte
A Candle of Darkness: Multiplied Deixis in Roberto Ciulli’s King Lear
Jerzy Limon
How Do You Read a Sign that No One Has Ever Seen Before?: A Post-Semiotic Analysis of Chance-Driven Events
Dean Wilcox
Mixed Media and Mixed Messages: Big Art Group’s Exploration of the Sign
Marvin Carlson
Diagrams, Formalism, and Structural Homology in Beckett’s Play Come and Go
Irit Degani-Raz