Spring 2005
Volume XIX
Number 2
Table of Contents
ARTICLES
‘The Whole Thing is over by Nine O’Clock’: The Rude Mechs’s Adaptation of
Greil Marcus’s Lipstick Traces
Patricia Ybarra 7
Fading Away: Remembering to Forget What Theatre Was
John Freeman 31
Ritual Identity in Late Twentieth-Century American Drama
Peter Nesteruk 43
Violence, Tragedy, and Race in Kia Corthron’s Wake Up, Lou Riser
Lisa M. Anderson 71
THE FIELD
Multilateral and Holistic Perspectives in Contemporary Performance Theory:
Understanding Patrice Pavis’s Integrated Semiotics
Scott Taylor 87
PRAXIS
Woody Allen’s New Trilogy?
Maurice Yacowar 111
Performing the “Really” Real: Cultural Criticism, Representation, and
Commodification in The Laramie Project
Jay Baglia and Elissa Foster 127