Spring 2002
Volume XVI
Number 2
Table of Contents
ARTICLES
The Body as Fluid Dramaturgy: Live Art, Corporeality, and Perception
Stephen DiBenedetto 4
Considering Disability: Disability Phenomenology’s Role in Revolutionizing
Theatrical Space
Carrie Sandahl 17
A Pop Parade of American Fantasy: Staging National Identity in
The Mother of Us All
Leslie Atkins Durham 33
The Pedophile in Me: The Ethics of How I Learned to Drive
Andrew Kimbrough 47
African Heritage from the Lenses of African-American Theatre and Film
I. Peter Ukpokodu 69
Homophobic Criticism and Its Disguises: The Case of Stanley Kauffman
Doug Arrell 95
PRAXIS
Theatre After the Fall
Jennifer Parker-Starbuck 113
The Meaning of Tragedy: Literary Pattern vs. Performance Form
Julian Meyrick 119
The Scientist as Byronic Hero: Michael Fryan’s Copenhagen
August W. Staub 133
Hedda Gabler: Revisiting Style and Substance
Rhonda Blair 143
Negotiating Between Then and Now: Directing Ibsen’s Hedda Gabler
John Staniunas 155
Mapping Desire: Couching Hedda and Eilert’s Conversation in Act II
of Hedda Gabler
Michael A. Connolly 163
BOOK REVIEWS
James Fisher, Sidney Berger, Anne Maximovich Enenbach,
Ben Fisker, Anna Jensen 173
BOOKS RECEIVED 191