Fall 1999
Volume XIV
Number 1
Table of Contents
ARTICLES
Staging Aphasia: Jean-Claude Van Itallie’s The Traveller
Gene A. Plunka 3
The Glass Menagerie and the Transformation of the Subject
Granger Babcock 17
Flow: An Interview with Marty Pottenger
Leslie Atkins Durham 37
“What am I to say while I pour these funeral offerings”: Stage Image, Word
and Action in Aeschylus’s Libation Scenes
Nurit Yaari 49
Raging Mothers: Maternal Subjectivity and Desire in the Dance Theatre of
Martha Graham
Katharine Power 65
Life to Those Shadows: Kevin Brownlow Talks about a Career in Films
John C. Tibbetts and James M. Welsh 79
NAWPA SUPPLEMENT
NAWPA: An Editorial Statement
Sharon Sullivan 97
Native Women Playwrights: Transmitters, Healers, Transformers
Mimi Gisolfi D’Aponte 99
The Native American Women Playwrights Archive: Adding Voices
Rebecca Howard 109
Tribalography: The Power of Native Stories
LeAnne Howe 117
Further (Farther): Creating Dialogue To Talk about Native American Plays
Diane Glancy 127
Colonial Audiences and Native Women’s Theatre: Viewing Spiderwoman
Theatre’s Winnetou’s Snake Oil Show from WigwamCity
Ann Haugo 131
Blending Time: Dramatic Conventions in Yvette Nolan’s Annie Mae’s Movement
Christy Stanlake 143
Here Is Gone and I Could Not Hear It: Using Coatlicue Theatre Company’s
Open Wounds on Tlalteuctli to Compare Performance Studies and Theater
Methodologies
ViBrina Coronado 151
PRAXIS
PRAXIS: An Editorial Statement
Kent Neely 157
Frontiers: Environmental History, Ecocriticism and The Kentucky Cycle
Theresa J. May 159
Review of Le Cid by Pierre Corneille
Loren Ringer 179
BOOK REVIEWS
Rachel Fensham, James Fisher, Gene A. Plunka 183
BOOKS RECEIVED 197